whats the difference between outlaws and inlaws
outlaws are wanted
come on reblog this my grandma told me this joke and was convinced she was going to be famous on tumblr for it
every time my mom and grandma get into an argument my grandma says “excuse me pamela i am famous on the tumbler”
Dan Howell is the sweetest person alive everyone else can go home
“The earth has music for those who listen.”
i haven’t watched it in years but off the top of my head there’s
AMY: I don’t understand, okay? One minute she’s going to marry you and then she’s going to kill you.
DOCTOR: Ah, well, she’s been brainwashed. It all makes sense to her. Plus, she is a woman. Oh, shut up. I’m dying.
because dying gives the protagonist an excuse to make cheap sexist jokes?
TESSELECTA: We’re trying to bag war criminals, we’ve got the biggest one ever right under our noses. Forget Hitler.
killing the doctor is a worse crime than the fucking real life holocaust
his murder is a worse crime and thus his life is more important and has more value than millions of jewish people, disabled people, queer people etc.
nazis in general being turned into a joke was just really insensitive did it really need to be set here why on earth did they even go there, was there any need other than ‘haha we can put hitler in a cupboard lols’
mels turning from a sweet little white girl into a rebellious, law-breaking black girl who steals for kicks and is always in jail, who then is shot by the most infamous racist of all time so that she can turn back into a white woman and become the love interest
the entire handling of amy’s baby is awful and horrible and her complete lack of reaction/many month time jump to skip over her silly grief is sexist
river’s thoughts while regenerating? ‘I’m focusing on a dress size.’ river’s first thought after she regenerates? ‘Excuse me, you lot. I need to weigh myself.’ what a great role model for young girls!
tons of male gazey shots with river, too, river is hypersexualised
the power of love somehow curing years of psychological brainwashing/river’s entire storyline is awful
honey, im homo
welcome back queer
How was your gay?
It was a pain in the ass.
get to know me meme
[1/5] favorite tv shows: brooklyn nine nine (2013-present)
“you’re part of the nine-nine now. we look after each other.”
that would make the funniest fucking story ever. Due to a mix up at the factory, the template for incantations that was supposed to a publishing company of dark art books is sent to a feminine products factory. Girl then accidentally summons Satan with period blood. Satan gets confused because its “dead blood” and when he shows up he realizes the sacrifice was done incorrectly so he cannot take the girl’s soul but now is bound to do her bidding because oops his bad, he showed up anyway.
in stories featuring aliens, they’re always like “on my planet this never happens!” or “in my culture, this differs from your human culture.” and that’s neat and all because i like worldbuilding and all that jazz but wouldn’t it be fun if they just. couldn’t do that?
i want a…
Mickey Milkovich (rivetingly played by Noel Fisher) first made his mark in an unexpected Season 1 sexual encounter with teenage Gallagher son Ian (Cameron Monaghan). Ian, established as gay early in the series, receives tacit support from the handful of family members and friends to whom he comes out. Mickey, by contrast, is a profoundly closeted neighborhood thug: a belligerent, grubby kid with the words “FUCK U-UP” tattooed on his knuckles … who also happens to be an exuberant bottom. However, instead of writing off this hook-up as another one-time moment of comedic outrageousness, Shameless has made Mickey’s arc a surprisingly sensitive one, examining the impact of poverty and family violence on the character’s life.
Mickey has been raised in a household ruled by terror. The Milkovich brood is overseen by tyrannical father Terry, who is often out of sight (thanks to frequent incarceration), but never far out of mind. Mickey’s appearance is disheveled: at times visibly dirty. His speech is littered with wisecracks and put-downs. He’s cagey and mean and picks fights. All of these at-once repugnant qualities are undercut by viewers’ slow, sobering realization: This is how an abused child survives. Because, as we discover in both subtle clues and scenes of explicit brutality, Terry’s hairpin trigger rage is calibrated to fire at any mention of homosexuality.
… In tiny increments since his first encounter with Ian, and at clear risk to his own safety, Mickey has pushed himself further and further past his fear. We are reminded of the time Mickey, returning from a stint in juvenile detention, greeted Ian with a deceptively terse, “Missed ya.” Of Mickey and Ian’s first kiss, hurried and nervous, long after they began meeting for sex. Of the futile, single-word plea – “Don’t” – when Ian told him he was enlisting in the Army. Of Mickey’s hesitant response to a stranger who asked, of his relationship with Ian, “Did you guys just meet last night, or are you together?”
Finally, after a pause: “Together.”
This, all of this, is what coming out looks like. And this is what Mickey Milkovich’s relevance truly hinges on: not only an acknowledgment of the suffering and self-denial that is still a reality in the lives of many LGBTQ people; but the validation that coming out is not irrelevant or passé or an all-or-nothing game. No matter how small and unwhole these acts of disclosure may seem, they are still brave.❞
"I AM a warrior, but I’m a girl too."